Summary
The story is a comedy of
errors and confusions around names, in particular the name
Ernest. Two friends, one named Jack Worthing and the other
Algernon, each have imaginary friends that they 'escape' to see
to get away from their home lives. Jack lives in the country but
often visits his imaginary brother named 'Ernest' in the city.
Algernon, on the other hand, lives in the city and often visits
his imaginary friend called 'Bunbury' in the country. Because
Algnernon only knows Jack through the name of Ernest, he is
unaware of his country name and personality, which is a more
serious character for the benefit of his ward, Cecily. Jack then
arrives in the city as Ernest wishing to marry Gwendolen,
Algernon' s cousin, whilst Algernon finds out about the
attractive Cecily and wants to meet her too. He gets the idea to
visit John in the country, pretending that he is the mysterious
brother 'Ernest'. However, Jack has decided to give up his
imaginary friend, and to do this he has announced the tragic
'death' of Ernest. Algernon is therefore visiting the country as
a dead man, as far as the hosts are aware. Cecily and Gwendolen
both get engaged to their 'Ernest Worthings' as both fell in
love with the name, but they then find out they have been
deceived and neither of the two Ernest's really exist. So, it
seems that everybody loves Ernest, but nobody's quite sure who
he really is!
NODA REVIEW OF 'THE IMPORTANCE OF BEING EARNEST'
This play was an ambitious choice for this company and
especially for Karen Claridge in the 'hot seat' for the first
time. A well constructed set worked well but I thought was a
little too fussy for the limited playing arena.
The complicated plot was excellently portrayed by a strong cast.
Huw Williams (John Worthing) and Richard Jones (Algemon
Moncrieff) set the pace with their lengthy opening scene. There
were some lovely cameo roles with Phil Davies as the Rev. Canon
Chasuble and Ruth Crowder as Lady Bracknell. Tracy Richards
(Lady Gwendolen Fairfax) and Fleur Greening (Cecily Cardew)
provided the two ladies being pursued by the two suitors. Ian
Jones (Mr Gribsy), Rhys Stapleton (Moulton), Dai Williams
(Merriman), John Major (Lane), Martyn Lench (Footman), Brenda
Slaughter (Miss Prism) all contributed successfully to a most
enjoyable evening. As I made my way home I could not help
comparing Oscar Wilde to the other great writer of that same
era, W.S .Gilbert, there is certainly a hint of Topsy- Turvydom
about this play.
Reviewed by Derek Grattidge
Cast
Lane John
Major
Algernon Moncrieff
Richard Jones
John Worthing
Huw Williams
Lady Bracknell Ruth Crowder
Lady Gwendolen Fairfax
Tracy Richards
Cecily Cardew
Fleur Greening
Miss Prism Brenda Slaughter
Moulton Rhys
Stapleton
Rev Canon Chasuble
Phil Davies
Merriman Dai
Williams
Mr Gribsby Ian
Jones
Footman Martyn
Lench
Production Team
Director/Producer Karen
Claridge
Assistant Director/Producer
Anne Morris
Stage Manager Wayne Brewer
Assistant Stage Manager
Raynor Phinnemore
Properties Raynor
Phinnemore
Set Design/Construction
Wayne Brewer, Raynor Phinnemore, Karen Claridge, Ray Claridge,
Jenna Claridge, Rhys Stapleton, Anne
Morris, Sue O'Halloran,
Nathan Brown, Jan Stapleton, Ros Jones, Wayne Davies, Hilary
Evans
Back Stage Wayne
Brewer, Raynor Phinnemore, Nathan Brown, Josh Cripp, Rhys
Stapleton
Lighting/Sound Wayne
Brewer
Continuity Sue O'Halloran
Wardrobe Francis
Winter
Hair Design/Make Up
Nikki Jones, Rhiannon Doller,
Business Manager Bob
Petersen
Business Team
Richard Jones, Helen Page, Sue O'Halloran
Photography Mike Morris
Front of House Manager Bob Petersen
Front of House Members and
Friends of Hilltop
Box Office Brenda Slaughter |